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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Daddy Cool, Melbourne

Now Listen...

Magazine article by Simon Elliott, 2005

Artist Tessa Jones recalls creating her portrait of Daddy Cool and Mondo Rock singer and music producer, Ross Wilson.

Tempe Manning Self-portrait 1939

A potpourri of portraits

Magazine article by Natalie Wilson, 2023

Archie 100 curator (and detective) Natalie Wilson’s nationwide search for Archibald portraits unearthed the fascinating stories behind some long-lost treasures.

Ian Roberts (after Coypel 1709)

Super League

Magazine article by David Sequeira, 2004

The portrait of Ian Roberts by Ross Watson.

Portrait of Troppo Architects, 2009

Thinking about architecture and portraiture

Magazine article by Dr Christopher Chapman, 2009

Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture

Orlando and Wilson, 2021 Chris Budgeon

People are people

Magazine article by Sandra Bruce, 2022

Sandra Bruce chats with seven-time NPPP finalist Chris Budgeon about photography, guitars and representing the human story.

Portrait 69

Portrait 69

Magazine

In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.

Lindy Lee

The long game

Magazine article by Penelope Grist, 2020

Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.

Florence Austral

Pretty in peach

Magazine article by Joanna Gilmour, 2008
It's remarkable that the inner Melbourne suburb of Richmond has produced two of Australia's most successful opera singers. Three decades apart, but within a short distance of each other, both Helen Porter Mitchell and Florence Wilson were born.
Dan Sultan

Dan the man

Magazine article by India Bednall, 2015

Martin Philbey’s portrait of Dan Sultan.

Skyhooks (Red Symons, Bob Starkie, Shirley Strachan, Greg Macainsh, Freddie Strauks) in Parker’s studio, Fitzroy, 1975 David Parker

Cool cool world

Magazine article by Penelope Grist, 2022

Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.

George Barrington, c.1785

Celebrity cutpurse

Magazine article by Dr Grace Blakeley-Carroll, 2010

Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.

Megan Gale

Glamour vs grunge

Magazine article by Dr Christopher Chapman, 2010

Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.

Caroline Pileggi

Ready , set... shoot

Magazine article by Christine Clark, 2006

The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.

James Baldwin, writer, Harlem, New York 1945 by Richard Avedon

The Avedon effect

Magazine article by Dr Christopher Chapman, 2013

Dr Christopher Chapman explores how we can understand Richard Avedon's photographs.  

Martin Schoeller 2008

The God-shaped hole

Magazine article by Michael Desmond, 2010

Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.

Dave Graney

Naked nostalgia

Magazine article by Penelope Grist, 2016

Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency